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  • 101.
    Sunnemark, Fredrik
    University West, School of Business, Economics and IT, Divison of Law, Economics, Statistics and Politics.
    The Boys, the Girls, and the Party: Representations of Gender and Rape Culture in Three Swedish Adolescent Films2018In: Rape Cultures and Survivors: An International Perspective / [ed] Inal, Tuba & Smith, Merril D., Santa Barbara, Calif: Praeger, 2018, p. 1-185-1-209Chapter in book (Other academic)
  • 102.
    Walker Bergström, Catharine
    University West, Department of Social and Behavioural Studies, Division for Educational Science and Languages.
    Searches for the Significant:: Robert Zemecki's Cast Away asa Late Twentieth Century Response to Daniel Defoe’s Robinson Crusoe2005In: Journal of Religion and Film, E-ISSN 1092-1311, Vol. 9, no 1Article in journal (Refereed)
    Abstract [en]

    Daniel Defoe's Robinson Crusoe has over the centuries become one of the most mythologized characters of Western literature. In the most recent adaptation of this novel, the film Cast Away (directed by Robert Zemeckis), Defoe's treatment of Crusoe's spiritual awakening has been highlighted. Postmodern man, as represented by efficiency expert Chuck Noland, is faced with a search for Meaning similar to that which  Defoe's "economic man" embarks upon when isolated from humanity 300 years earlier. This essay examines the way Cast Away deals with the ever present paradox of faith in a Divine Plan and belief in individualism and the free will.

  • 103.
    Wicke, Kurt
    University West, Department of Social and Behavioural Studies, Division for Educational Science and Languages.
    Questions of Identity: Harry Potter and the Philosopher's Stone2018In: Using Film to Understand Childhood and Practice / [ed] Sue Aitken, Bloomsbury Academic, 2018, p. 129-147Chapter in book (Other academic)
  • 104.
    Ye, Qijun
    University West.
    The Conversation between Film and Ideology: How Wall Street and Wall Street. Money Never Sleeps promote and/or criticize financial capitalism? 2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis is, within two films Wall Street and Wall Street. Money Never Sleeps, to explore characters from different levels of capitalism’s characteristics and ideological positions, what kind of society and ideological patterns the two films reflect and in which ways do the films promote and/or criticize capitalism. Theories on ideology and ideology critique are applied and used in a discourse analysis in order to compare characters of different levels of capitalism’s ideologies and characteristics over times in the films and describe what kind of society and ideological patterns the two films reflect. The outcomes show that characters’ ideologies and characteristics actually change over times in the films. And the outcomes also show that the two films generally promote capitalism by creating same model of story under different societies and ideological patterns.

    Download full text (pdf)
    The Conversation between Film and Ideology
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