The aim of this thesis is, within two films Wall Street and Wall Street. Money Never Sleeps, to explore characters from different levels of capitalism’s characteristics and ideological positions, what kind of society and ideological patterns the two films reflect and in which ways do the films promote and/or criticize capitalism. Theories on ideology and ideology critique are applied and used in a discourse analysis in order to compare characters of different levels of capitalism’s ideologies and characteristics over times in the films and describe what kind of society and ideological patterns the two films reflect. The outcomes show that characters’ ideologies and characteristics actually change over times in the films. And the outcomes also show that the two films generally promote capitalism by creating same model of story under different societies and ideological patterns.