Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
My sound space: An attentional shield for immersive redirection
University West, School of Business, Economics and IT, Division of Media and Design. (LINA)ORCID iD: 0000-0002-7951-2089
University of Arts, Crafts and Design, Stockholm, Sweden.
University West, School of Business, Economics and IT, Division of Media and Design. (LINA)ORCID iD: 0000-0002-5996-7668
KTH Royal Institute of Technology, Stockholm, Swede.
2018 (English)In: AM'18 Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion: ACM International Conference Proceeding Series, Association for Computing Machinery , 2018, article id a9Conference paper, Published paper (Refereed)
Abstract [en]

In the context of extended reality, the term immersion is commonly used as a property denoting to which extent a technology can deliver an illusion of reality while occluding the users’ sensory access to the physical environment. In this paper we discuss an alternative interpretation of immersion, used in the My Sound Space project. The project is a research endeavor aiming to develop a sound environment system that enables a personalized sound space suitable for individual work places. The medium, which in our case is sound, is transparent and thus becomes an entangled part of the surrounding environment. This type of immersion is only partly occluding the users sensory access to physical reality. The purpose of using the sound space is not to become immersed by the sounds, rather to use the sounds to direct cognitive attention to get immersed in another cognitive activity. © 2018 Association for Computing Machinery.

Place, publisher, year, edition, pages
Association for Computing Machinery , 2018. article id a9
Keywords [en]
Computer applications; Computer programming, Designing the unnoticeable; Immersive; Nonmediation; Sound designs; Sound spaces, Audio acoustics
National Category
Human Computer Interaction
Research subject
Work Integrated Learning; SOCIAL SCIENCE, Informatics
Identifiers
URN: urn:nbn:se:hv:diva-13606DOI: 10.1145/3243274.3243309Scopus ID: 2-s2.0-85060936340ISBN: 9781450366090 (print)OAI: oai:DiVA.org:hv-13606DiVA, id: diva2:1297955
Conference
2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018; Wrexham; United Kingdom; 12 September 2018 through 14 September 2018
Available from: 2019-03-21 Created: 2019-03-21 Last updated: 2019-08-21Bibliographically approved

Open Access in DiVA

No full text in DiVA

Other links

Publisher's full textScopus

Authority records BETA

Ljungdahl Eriksson, MartinPareto, Lena

Search in DiVA

By author/editor
Ljungdahl Eriksson, MartinPareto, Lena
By organisation
Division of Media and Design
Human Computer Interaction

Search outside of DiVA

GoogleGoogle Scholar

doi
isbn
urn-nbn

Altmetric score

doi
isbn
urn-nbn
Total: 33 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf