Ändra sökning
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Seriously Funny: Animation, The Concealed Avant-Garde
Högskolan Väst, Institutionen för ekonomi och it, Avd för medier och design.ORCID-id: 0000-0002-7111-9661
2017 (Engelska)Konferensbidrag, Enbart muntlig presentation (Övrigt vetenskapligt)
Abstract [en]

The progressive migration of the European avant-gardes to America in the late 1930s compelled an adjustment of modern art practice and theory to the new cultural environment and to the needs of the cultural institutions that supported them. This radical redefinition of modern art implied the construction of a modernist canon, one that became hegemonic after WWII with the institutionalization of a discourse of modernism strictly focused on the value of form and an adherence to medium specificity. Associated with cartoons, advertising, and with popular culture in general, animation was dismissed as kitsch.  Moreover, while modernist scholars widely acknowledged film as the modernist medium par excellence, they did not pay much attention to animation, which was relegated to the category of a minor, subsidiary cinematic genre.

Inherently and unabashedly multidisciplinary (it encompasses and creatively blends painting, drawing, sculpture, film and many other artistic media), animation obdurately defied and still challenges disciplinary regulation. Animation and animation theory, developed in the interstices between modernist fields of practice and theorization such as art history and film studies, offer a unique standpoint from where to analyze modernism in art, the historiography of this discourse, and modernist theory itself.

Ort, förlag, år, upplaga, sidor
2017.
Nyckelord [en]
Animation, modernism
Nationell ämneskategori
Filmvetenskap
Forskningsämne
HUMANIORA, Filmvetenskap
Identifikatorer
URN: urn:nbn:se:hv:diva-11947OAI: oai:DiVA.org:hv-11947DiVA, id: diva2:1169449
Konferens
Modernist Studies Association’s Annual Conference “Modernism Today”, Amsterdam, August 10-13, 2017
Tillgänglig från: 2017-12-27 Skapad: 2017-12-27 Senast uppdaterad: 2019-12-05Bibliografiskt granskad

Open Access i DiVA

fulltext(181 kB)74 nedladdningar
Filinformation
Filnamn FULLTEXT01.pdfFilstorlek 181 kBChecksumma SHA-512
f9ba5d4dc4af5a482e0fa27c014b05b4a763b2873ffa7834eed799304069081433fab5a9da10abc234b5903cd1a095204cedbc5931d02180eed50750d5478fe9
Typ fulltextMimetyp application/pdf

Personposter BETA

Ajanović, Midhat

Sök vidare i DiVA

Av författaren/redaktören
Ajanović, Midhat
Av organisationen
Avd för medier och design
Filmvetenskap

Sök vidare utanför DiVA

GoogleGoogle Scholar
Totalt: 74 nedladdningar
Antalet nedladdningar är summan av nedladdningar för alla fulltexter. Det kan inkludera t.ex tidigare versioner som nu inte längre är tillgängliga.

urn-nbn

Altmetricpoäng

urn-nbn
Totalt: 337 träffar
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf